Description
Up for consideration is a vintage hand painted and colored pastel art work
by listed Kansas NY Artist Eugene Higgins (1874-1958). The work of art is done
artist paper and has been conserved and affixed to artists acid free backing. It
has a hinged matting that folds over the work limiting the view to only the
rectangled opening. The scene like many of his works are of the desperate poor
and downtrodden...in somewhat of an idealized situation...meaning it is a
situation created by the artist to convey meaning as opposed to an actual live
sitting models. The scene depicts a desperately thing undernourished dog on his
last legs in fact he is crawling on his forearms as 1 couple are in the corner
suffering in anguish. It is difficult to see as the the fellow in is a medium
blue robe talking and holding on to a person in a burgundy robe it looks like a
dire situation. Anyways please see the photos as part of the description. If you
have any questions or something to share please message me. Buyer pays shipping.
Provenance: Private Collection, Western Michigan.
The painting was in a very interesting private collection in Western
Michigan...We bought it all !!! I mean the collection runs the gammet so stay
tuned for some real exciting stuff from Coast to Coast and right from the bottom
to the top culminating in works from New Hope Colony, Bucks County PA.
Biography: Eugene Higgins, a painter and etcher, represented with sentimentality
the impact of the homeless, depressed and less fortunate people of society. His
passionate sympathy for the poor led him to generalize situation and location,
painting archetypal situations rather than observed ones.
Although a Social Realist in subject matter, his style was European, much
influenced by Honore Daumier, and this Old World quality made his work less
popular than that of others such as Robert Henri, who had a more unique style.
Higgins was born the son of an Irish stonecutter and builder in Kansas City,
Missouri, 1874, and after the death of his mother, his father moved him as a
youngster to Saint Louis, where he was raised. He briefly attended night
classes at the St. Louis School of Fine Arts, and also went to work in an
architect's office.
In 1897, he went to Paris and studied at the Ecole des Beaux-Arts and the
Academie Julian, under Jean Paul Laurens, Benjamin Constant and Jean Leon
Gerome. In France, he developed the skill of etching, which became his primary
way of earning money.
In 1904, he returned to America, spending a year in St. Louis and then settling
in New York City. In the early 1920s, he married Anita Rio, and for the
remainder of his life, kept a studio on West 22nd Street. Anita and Eugene
spent most of their summers at Old Lyme, Connecticut.
Recognition came for Higgins, both for his etching and for his painting, which
for some viewers carried the suggestion of sculpture because of the vigor and
overwhelming qualities of his figure painting. In 1904, the militant Journal of
Social Satire in Art, devoted an entire issue to Higgins' s illustration
titled Les Paurves. He was acclaimed by the poet Edward Markham as "the one
powerful painter of the tragic lacks and losses." In 1921, Higgins was voted to
membership in the National Academy of Design, and participated in every
exhibition after that to 1950.
Higgins credited his father's influence as being very strong on his work because
his father was a stonecutter, whom the young Higgins helped and observed the way
he handled the materials. His father talked much about the skills of
Michelangelo, and about this Higgins said: "As I remember those days it seems to
me I knew Michelangeo as well as a I knew my father---we three were pals
together. " he other major influence was Jean Millet from whom he "learned also
the beauty of simple elemental conditions truthfully portrayed." (271)
During the Depression era Higgins created murals including for post offices in
Beaver Falls, Pennsylvania; Shawano, Wisconsin; and Mount Pleasant Tennessee.
In 1958 Eugene Higgins died in a hospital in New York after a long illness.
Source:
Ruth Pasquine, Paintings and Sculpture in the Collection of the National Academy
of Design, Volume One, 1826-1925, David Dearinger, Editor.
Best Regards,
Johnny
JohnnyCrystal Est. 1987