Description
Up for approval is an original Landscape painting on panel by well listed and
highly desirable artist Mary Deneale Morgan (1868-1948). The painting measures
8.75 by 11.75 inches without the frame and is signed "Morgan" on the bottom
right and of which is only visible out of the frame. It is titled "Lighter Sky"
on the Verso and there are remnants of a Framing Gallery in Saginaw Michigan.
The painting is colorful and well done...probably done in Carmel, California.
Although not a very large painting is has a wonderful palette and is somewhat of
a unique setting when compared to a majority of her works. It comes together
nicely with the slightly toned frame to match the floral embellishments. If you
have any questions or something to share please message me.
Provenance: Private Collection, Western Michigan.
The painting was part of a very interesting private collection in Western
Michigan...and of course we bought it all !!! The good better and best as well
as the Good, Bad and the Ugly... I mean the collection runs the gammet so stay
tuned for some real exciting stuff from Coast to Coast self taught to
Pennsylvania Impressionists from New Hope Colony, Bucks County PA. If you have
any questions or something to share please message me.
Shipping: Signature confirmation required buyer pays shipping.
Biography: Mary DeNeale Morgan was known for her pastel paintings and etching
and as a longtime California artist, left a great legacy as a teacher and
organizer as well as painter. In addition to pastel, she worked in tempera,
oil, and watercolor, and painted sand dunes, adobes, landscapes, and the
wind-swept cypresses of the Monterey Peninsula.
She was born in San Francisco, California on May 24, 1868, and as a child of two
years, moved to Oakland where her father, Thomas Morgan, was the city engineer.
She was a favorite pupil of William Keith from her youth until the time of his
death. Morgan also studied at the School of Design under Virgil Williams, Soren
Carlsen, Amedee Joullin and Arthur Mathews.
In 1896, she opened a studio in Oakland and, for a brief time, taught art at
Oakland High School. In 1910, she settled in Carmel, where she had had a studio
from 1904, and from Sydney Yard, she bought his studio home located on Lincoln
near Seventh Street. In Carmel, she became a vital part of the art community.
She was a pupil in William Merritt Chase's summer classes there in 1914, and
from 1917 to 1925 was director of the Carmel School of Art. She was also a
founder of the Carmel Art Association.
Living for many years on this Monterey peninsula, she was a prolific painter in
watercolor, oil and pastels of the region's geography and historic
architecture. Among her paintings were scenes with cypress trees, sand dunes,
adobe structures and ocean views.
Exhibition venues included the San Francisco Art Association, California State
Fair, Del Monte Art Gallery, California Watercolor Society and Carmel Art
Association.
Among her affiliations were National Association of Women Painters & Sculptors,
San Francisco Art Association, California Watercolor Society, Laguna Beach Art
Association, American Federation of Artists, and Carmel Art Association.
In addition to numerous museums, her works are in the collection of Union High
School at Monterey, Monterey City Hall and Presidio, Sunset School at Carmel,
Salinas High School, Harrison Library at Carmel and Society of California
Pioneers.
In 1928, the editors of Scribner's magazine named her as one of the nation's
foremost women artists. During World War II, she made weekly visits to nearby
Fort Ord to sketch the servicemen.
Unmarried, Morgan died in Carmel on October 10, 1948.
Sources:
Phil Kovinick and Marion Yoshiki Kovinick, An Encyclopedia of Women Artists of
the American West
Edan Hughes, Artists in California 1786 to 1940
Best Regards,
Johnny
JohnnyCrystal Est. 1987